Original: Classical music concerts are often attended by people who either play or listen to classical music.
Revision: People who listen to and play classical music will often attend concerts of that genre.
This blog is a requirement for WSC 002 taught by Frank Gaughan at Hofstra University.
Tuesday, February 28, 2012
Saturday, February 25, 2012
Arts and Interpretation: My List
1) Poetry- The Wound Dresser by Walt Whitman
2) Music- Beethoven's 5th Symphony
3) Painting- The Twittering Machine by Paul Klee
I have chosen these works of art because I find them interesting and discovered them through music. I've played Beethoven's Symphony once and got a better understanding through music history class. I discovered The Wound Dresser after hearing a version for voice and orchestra by John Adams. Finally, The Twittering Machine is also the name of a movement from 5 Klee Pictures by Peter Maxwell Davies, which I am playing in Orchestra this semester.
2) Music- Beethoven's 5th Symphony
3) Painting- The Twittering Machine by Paul Klee
I have chosen these works of art because I find them interesting and discovered them through music. I've played Beethoven's Symphony once and got a better understanding through music history class. I discovered The Wound Dresser after hearing a version for voice and orchestra by John Adams. Finally, The Twittering Machine is also the name of a movement from 5 Klee Pictures by Peter Maxwell Davies, which I am playing in Orchestra this semester.
Tuesday, February 14, 2012
Revised
Pratt describes contact zones as being imagined communities because such communities do not exist in areas where there are natural or man-made borders blocking the trade of ideas from one place to another. There is an obvious prevention of the utopian society which Pratt seeks to understand and make real in her discussions and summaries.
Draft
From Reading Quiz:
...She [Mary Louise Pratt] obviously feels that people who are connected by means other than their homeland have strong bonds with others of the same kind. These [imagined] communities are bounded by the idea that sharing key points with just more than one person makes it strong enough to last outside one's borders.
...She [Mary Louise Pratt] obviously feels that people who are connected by means other than their homeland have strong bonds with others of the same kind. These [imagined] communities are bounded by the idea that sharing key points with just more than one person makes it strong enough to last outside one's borders.
Tuesday, February 7, 2012
How I Write Seems So Normal
Gloria Anzaldua describes her mix of English and Spanish in her speaking and writing in a place where it isn't accepted. Everyone apparently has his or her own set of linguistics. Mine involve a mix of slang and medium to high-level vocabulary, like what my parents say to other adults. I sometimes stutter with my words when I speak off the top of my head. However, when I am writing, there is hardly anything that stops my train of thought. Sometimes I notice that I say "So" at the end of my sentences when I speak. Other than that, I can't find any other way to describe my speaking and writing format.
Wednesday, February 1, 2012
"On Loving and Hating my Mentally Retarded Mother" by Carol Rambo Ronai, Ph.D.
Autoethnography is a form of communication in which someone from one culture engages in sharing their own experience to a person or group of people of a different culture. The most famous example is Poma's 1200 page letter to King Phillip II. In said letter, he attempted to describe the life of the Andean people under rule of the Conquistadors. It was written in semi-understandable spanish. Poma had written it out not understanding grammar and it never reached the King of Spain.
Today, there are many different types of autoethnographic texts. These texts are written to explain one subculture's life to the people of another subculture. Below is a link to what I would consider an auto ethnographic text. The article, by Carol Rambo Ronai, is a detailed account of the life of a woman living with her mentally retarded mother, facing sexual and physical abuse, and having family members who are hard on her as well. The author uses vivid detail to shock the reader. This example is definitely for mature readers at best. Since the article is 49 pages long, I am providing two examples from the article that are work safe on this post.
http://www.carolrambo.com/articles/mrmother.pdf
Today, there are many different types of autoethnographic texts. These texts are written to explain one subculture's life to the people of another subculture. Below is a link to what I would consider an auto ethnographic text. The article, by Carol Rambo Ronai, is a detailed account of the life of a woman living with her mentally retarded mother, facing sexual and physical abuse, and having family members who are hard on her as well. The author uses vivid detail to shock the reader. This example is definitely for mature readers at best. Since the article is 49 pages long, I am providing two examples from the article that are work safe on this post.
http://www.carolrambo.com/articles/mrmother.pdf
I found her diary once. Inside it her aunt had drawn
beautiful pictures of bears and described picnics and birthday
parties Suzanne had attended with them. On a page towards the end,
my mother had written in her own scraggly handwriting: "I mary
Frank today. I be his booful brid. I be so hapy." Reading these
words was physically revolting to me. Marrying Frank was a way for
her to live out some kind of fantasy story in her mind. How could
the world let them marry? His family knew what a monster he was;
he had molested one of his sister's children. What the hell was
everybody in Dysfunction land thinking? Does her definition of the
situation apply? His? What should my definition be? I don't
understand why I care. It is like a hangnail I can't leave alone--
the more I mess with it the rattier and more painful it becomes. (13)
The government has contributed to the pretense that everything
is normal. They won't certify her as too retarded to hold a job,
but they will provide her vocational rehabilitation. I worked many
hours, on three separate occasions, over an eight year period of
time to get her services. Each time she stopped the counseling and
training the moment my back was turned. Since social service
workers cannot force services on anyone, and since Suzanne has to
want the help, no one can do anything about it. And so we go on
protecting her from the truth, lying, keeping silent and pretending
everything is perfectly normal. In a sense we are complicit agents
in her failure. If she did not have us, if she did not have the
trust fund, if she could not go on living this fiction, she would
be forced to go out and get job training. (24)
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